https://www.inkston.com/shops/paper/mulberry-paper/ #Paper #SongPaper #WenzhouPaper #XuanPaper
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the actual sizes are specified on the product descriptions:
#Paper #SongPaper #WenzhouPaper #XuanPaper
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Hi
I was wondering what the difference is between ‘Inkston 0809 Plus Xuan Paper’ and the ‘Inkston 0809 Xuan Paper’? I’ve noticed that there are a couple of papers with the same name difference but what makes it different? The percentage of tree used to make the paper?
My other question: what makes Song and Wenzhou paper so significant? The color, ingredients, absorption, … ?
Thanks in advance
Felice #Paper #SongPaper #WenzhouPaper #XuanPaper
Visit the forum at https://ift.tt/2QiuygM to join the discussion on Inkston Oriental Art Community Inkston Oriental Art Community » All Posts https://ift.tt/2x6U6GCHi I’m Aiden, If you want to prearrange the Cheap Flight Tickets, we deliver you all the profitable solutions for booking Cheap Airline Tickets for your journey. Finally, we launched the first generation of our online travel agency For. Since then, we keep improving our website and operations to deliver unmatched services to our customers. Just call us at our Book My Flights Toll Free Number +1 (877) 728 8804. Also Visit: cheap flights from Chicago to Washington #CheapFlights
However, I am not sure if this might be too big for you?
Thanks a lot again! 😉
Lucy #LiCalligraphy;Brushes
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Hello,
If you wonder how to paint the Chinese way, you’ll probably encounter the name “Manual of the Mustard Seed Garden” which is like THE guide to help you paint in Chinese style.
Only when looking into the copy its mostly drawing, contouring the objects than really paint (like painting a flower but with colour and full pressure of your brush). How do you analyse/read this manual to have a productive result?
Do any of you used it already and want to share some experiences? Thank you
Felice #ManualOfTheMustardSeedGarden #Painting
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http://www.xinhuanet.com/english/2019-10/18/c_138481540.htm
Reason I post this is because as an open atelier in Bruges we open our doors as well for Chinese calligraphy to see and do yourself. Be sure to take a look and I will welcome you and explain what our students have been up to. Have a look at our Facebook page as well where we post every week what we have been writing or discussing. In the future there will be more informational evenings around calligraphy so if you’re interested, be sure to give it a like and/or follow to keep updated!
If you want more information you can ask anytime ! Happy to help 🙂
https://www.facebook.com/ChineseCalligraphyBruges/posts/396798737631046 #Bruges #BurenBijKunstenaars #ChineseCalligraphyBruges
Felice.
Artist and teacher. I practice ink painting chan sumie since 2000. My artwork is to sell. Courses in Le Cannet 06110, France #BlackAndWhite #InkPainting #Simplicity
The post Mireille AMAR appeared first on Inkston Oriental Art Community.
https://ift.tt/2LEibu9 New artist directory entry by pinceauzen on Inkston Oriental Art Community https://ift.tt/2V6YJt1
do let me know,
Josh
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This is Yan from Inkston Customer Helper. I am extremely sorry for this issue! I missed your email and I have just replied your email now; please kindly check your email box. Yes, this piece is handmade in Jingdezhen but the designer has confirmed me that he decided to stop making this piece. We have made a proposal to you in the email which I have just sent out. And I am very sorry for not sending the exact product which you have ordered. Please kindly let me know by replying my email if you want to have a replacement.
Last but not the least, we apologise for missing your email and we really appreciate your trust and patience with us!
sincerely and best regards,
Yan
Inkston Customer Helper
Visit the forum at https://ift.tt/34Aod6K to join the discussion on Inkston Oriental Art Community Inkston Oriental Art Community » All Posts https://ift.tt/315rZCBDear Inkston,
I placed an order on the 20 Aug for 6 items. The package arrived on the 28th August. One item was not exactly what I ordered but I have overlooked this.
The issue I am writing about today is that five items came except the ‘Ceramic Water Resevoir for Rinsing Brushes’ priced at £40.37
I have written twice already in private requesting information on this matter, once on the 28th August immediately after I noticed the item was missing, and again on the 2nd September.
I suspect that given the item is handmade in Jingdezhen there may be a neccessary delay, whereas the stock items can be shipped immediately, but I have not heard back from Inkston to confirm whether this is true or not. I am disappointed in that I have received no response to my previous correspondence in private given a reasonable period of time. I hope that by writing on this public forum, I will finally get a response from Inkston.
Yours sincerely,
Josh Chu
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I bought an Inkston 0100Wl 小鶴颈 XiaoHeJing “Small Crane Neck” 羊毫 Yang Hao Wool brush some time ago and use it for Li style calligraphy. It is excellent and works really well especially with the “silkworm head and goose tail” type of strokes.
The brush is listed as a medium size. Is there another brush you could recommend that is larger but with same characteristics?
Thanks! #LiCalligraphy;Brushes
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“Sharing Weal and Woe in the Same Boat”
为“第八届中国北京国际双年展”重点创作
centerpiece created for the 8th China Beijing International Biennale
4米高✖️8米宽，中国画，廖 勤，2019年
4m tall by 8m wide, Chinese brush painting, Liao Qin
开幕：2019/8/30 9:30
展期：2019/8/30—9/20
展址： 中国美术馆圆厅 China Art Museum Round Hall
120个 日夜 days and nights
1200小时 坚持 hours
72000分钟 不断 minutes
2160000笔 水墨 brush strokes
Since I am a westerner and I study Chinese, I am currently undergoing the hard task of choosing a Chinese name for myself. The last thing I want to do is to simply translate my Italian name in Chinese… instead, I want to pick up a name that really sounds Chinese. My passion for Cinese culture led me to buy an old book that aims at leading the reader to choose an auspicious Chinese name based on zodiac, yin/yang, binomials etc. After some study and attempts, I came up to what sounds to me like a fair name, but I would really like to hear from any Chinese native speaker or experts among you if, to your ears, this sounds like a good name for a male.
So, here we go: the surname is 波 (Bo1), given name 傲蟀 (Ao4 Shuai4) – I really liked the idea of having both a character that reminds of the cricket, with its fighting spirit and good fortune meaning, and a character that conveys the meaning of being proud.
Does this sound like a nice/good/fair name to you?
I really appreciate any feedback you may give me.
Thank you!
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read more about Xuan paper here:
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http://www.asahi.com/ajw/articles/AJ201908120001.html
sumie ,chinese art ,Japanese art,Eastern arts ,watercolors ,brush painting ,
The post Jane grace Taylor appeared first on Inkston Oriental Art Community.
https://ift.tt/2ZVRciz New artist directory entry by Jane g Taylor on Inkston Oriental Art Community https://ift.tt/2ZWDLid
https://www.shine.cn/feature/art-culture/1908099933/
I paint my own life, but I also try to paint an invisible place, that of dreams, somewhere where one feels in perfect harmony, even in the midst of agitated shapes or opposing forces. —Zao...
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Hello, my name is Elizabeth and I make lanterns. Handpainted on Washi paper. As I figure out how to upload or reduce my pictures of my work I will post it. Is there anyone else who makes lanterns? Thank you !
Elizabeth
Cleveland, Ohio #HandPaintedLanterns
Visit the forum at https://ift.tt/2KptDZ0 to join the discussion on Inkston Oriental Art Community Inkston Oriental Art Community » All Posts https://ift.tt/2wZljtsBob Schneider is an author, comedian and artist from Berlin. He studied ink painting and calligraphy and presented his work in several exhibitions. #Artist #Berlin #Birds #Calligraphy #Chinese #Flowers #InkPainting #Korea #Landscape #Meditation #Mindfulness #Nature #Sumie #Zen
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https://ift.tt/2YnzSBl New artist directory entry by Bob Schneider on Inkston Oriental Art Community https://ift.tt/eA8V8JAn excellent presentation of upcoming Chinese artists and their new works:
https://mp.weixin.qq.com/s/KpCmuphv_6NFeJIslEGksA
In Chinese but lots of pictures!
Visit the forum at https://ift.tt/2xNVBYd to join the discussion on Inkston Oriental Art Community Inkston Oriental Art Community » All Posts https://ift.tt/eA8V8JNote: decorative paper might not be available immediately to ship. If we are not able to send the papers as soon as we receive the order, we normally send it out within 1 week and will contact you immediately. You can also send an email to us at any time for any query you may have. #Paper #HalfSizedXuanPaper #DecorativeXuanPaper #ChineseCalligraphy #Calligraphy #ChinesePainting
Clic INKSTON Diamond Sutra Calligraphy Paper 500cm para más información Inkston
New! available at: https://ift.tt/30ty37g from Products – Inkstonwriter: Felice Vuylsteke ONE LOOK GIVES A BEAUTIFUL PANORAMIC SIGHT ON WEST LAKE, ANOTHER LOOK AT THE ENTRANCE OF THE XILING SEAL ENGRAVER’S SOCIETY. Everyone has probably already heard of the famous West Lake in...
Clic XiLing Seal Engraver’s Society para más información Inkston
https://ift.tt/2NKK9aK published first on InkstonHow to use: use wet brush to apply colour directly on the colour cake.
Feature: The chips include resin already. The colour is very fine and pure. Colour is profound and endurable. It is very easy to get colour.
Storage: keep it in dry, clean shade. The longer the colour is preserved, the better the quality becomes.
Special Note: industrial colour, easy to dissolve in water.
#Inks #JiangSiXuTangNaturalMineralColours #ChinesePainting #%e5%b7%a5%e7%ac%94%e7%94%bbGongbiPainting
Clic Low Resin Blue Colour Cake 15g/ 0.54oz para más información Inkston
New! available at: http://bit.ly/2ZJr2Ps from Products – InkstonHow to use: use wet brush to apply colour directly on the colour cake.
Feature: The chips include resin already. The colour is very fine and pure. Colour is profound and endurable. It is very easy to get colour.
Storage: keep it in dry, clean shade. The longer the colour is preserved, the better the quality becomes.
Special Note: industrial colour, easy to dissolve in water. #Inks #JiangSiXuTangNaturalMineralColours #ChinesePainting #%e5%b7%a5%e7%ac%94%e7%94%bbGongbiPainting
Clic Lead White Colour Cake 15g/ 0.54oz para más información Inkston
New! available at: http://bit.ly/2Y4OXbH from Products – InkstonHow to use: use wet brush to apply colour directly on the colour cake.
Feature: The chips include resin already. The colour is very fine and pure. Colour is profound and endurable. It is very easy to get colour.
Storage: keep it in dry, clean shade. The longer the colour is preserved, the better the quality becomes.
Special Note: industrial colour, easy to dissolve in water. #Inks #JiangSiXuTangNaturalMineralColours #ChinesePainting #%e5%b7%a5%e7%ac%94%e7%94%bbGongbiPainting
Clic Cinnabar Red Colour 15g/ 0.54oz para más información Inkston
New! available at: http://bit.ly/2IG8TMV from Products – InkstonHow to use: use wet brush to apply colour directly on the colour cake.
Feature: The chips include resin already. The colour is very fine and pure. Colour is profound and endurable. It is very easy to get colour.
Storage: keep it in dry, clean shade. The longer the colour is preserved, the better the quality becomes.
Special Note: industrial colour, easy to dissolve in water. #Inks #JiangSiXuTangNaturalMineralColours #ChinesePainting #%e5%b7%a5%e7%ac%94%e7%94%bbGongbiPainting
Clic Eosin Red Colour 15g/ 0.54oz para más información Inkston
New! available at: http://bit.ly/2Lb1EOw from Products – InkstonHow to use: use wet brush to apply colour directly on the colour cake.
Feature: The chips include resin already. The colour is very fine and pure. Colour is profound and endurable. It is very easy to get colour.
Storage: keep it in dry, clean shade. The longer the colour is preserved, the better the quality becomes.
Special Note: industrial colour, easy to dissolve in water. #Inks #JiangSiXuTangNaturalMineralColours #ChinesePainting #%e5%b7%a5%e7%ac%94%e7%94%bbGongbiPainting
Clic Deep Red Industrial Colour 15g/ 0.54oz para más información Inkston
New! available at: http://bit.ly/2IDdLCe from Products – InkstonGreat videos, thank you for your suggestions! #BeginnerCalligrapher #ChuSuiliang #RegularStyle #Resources
Visit the forum at http://bit.ly/2IYuoqT to join the discussion on Inkston Oriental Art Community Inkston Oriental Art Community » All Posts https://ift.tt/eA8V8JMerci beaucoup pour vos conseils! These are precious indeed and I will consider them and make treasure of all you have written. #BeginnerCalligrapher #ChuSuiliang #RegularStyle #Resources
Visit the forum at http://bit.ly/31HPbrj to join the discussion on Inkston Oriental Art Community Inkston Oriental Art Community » All Posts https://ift.tt/eA8V8JBonjour ema.ballo,
Chu Suiliang est un des quatre principaux maîtres du début des Tang : Ouyang Xun, Yu Shinan, Chu Suiliang, et Xue Ji (bien que certains experts donnent des listes parfois différentes car il n’y pas unanimité pour les quatre…). Ne pas confondre avec les quatre maîtres du kaishu: Yan Zhenqing, Liu Gongquan, Ouyang Xun (Tang) et Zhao Mengfu (Yuan). Vous pouvez copier Chu Suiliang, bien sûr, c’est un grand calligraphe, mais, pour un débutant, ce n’est pas le choix le plus pédagogique. En fait, si les quatre maîtres mentionnés sont étudiés en priorité depuis des siècles, c’est parce qu’ils apportent des qualités indispensables pour maîtriser n’importe quel autre kaishu. Yan Zhenqing donne la force, Liu Gongquan l’os, Ouyang Xun la rectitude et Zhao Mengfu la chair. Encore faut-il connaître, pour chacun d’entre eux, laquelle de leur œuvre convient le mieux, car ils ont réalisé de nombreuses calligraphies dans différents styles (kaishu, xingshu, etc).
Pour la plupart des étudiants, Yan est le meilleur commencement, et on finit généralement par Zhao, quand les trois autres sont assez maîtrisés. Ce que vous aimez spontanément ne devrait pas entrer en ligne de compte car votre capacité à apprécier, et donc vos goûts vont évoluer avec votre progression technique. Quand vous débutez, votre œil n’est pas suffisamment exercé pour faire un choix adéquat.
J’ai des étudiants chinois et occidentaux de différents niveaux. Pour donner à chacun le meilleur conseil de modèle d’entraînement, je dois préalablement voir leur travail, afin de déterminer ce qu’ils ont déjà intégré et ce qui leur fait le plus défaut. Sans cette étape de diagnostic personnalisé, il est impossible de savoir ce que vous devriez étudier maintenant.
Cependant, puisque vous recherchez des conseils, si vous permettez que je vous exprime mon point de vue, le plus franchement et directement possible, voici ce que je recommande:
– Il vous faut impérativement un enseignant. A moins de vouloir simplement bricoler toute votre vie, il est IMPOSSIBLE de devenir un calligraphe sérieux sans quelqu’un d’expérimenté pour vous guider. On peut être un autodidacte génial, certaines erreurs ne vous apparaîtront pas spontanément et vous risquez de les reproduire indéfiniment jusqu’au point où il sera difficile de vous débarrasser de ces mauvaises habitudes qui vont s’enraciner et polluer votre pratique. Pensez-vous qu’il soit facile d’apprendre le violon sans professeur, simplement en lisant des livres ou en essayant désespérément d’imiter un virtuose, en écoutant des enregistrements qui vous plaisent ? Certains élèves, après de nombreuses années font toujours les mêmes erreurs que quelques jours de cours auraient éradiquées définitivement. D’un autre côté, je comprends votre difficulté car il est difficile de trouver un bon professeur à proximité de son domicile en Europe. De nombreux enseignants, qu’ils soient occidentaux ou chinois, n’ont pas toutes les compétences requises (connaissance approfondie des différents styles historiques, méthodes techniques pour progresser et surmonter les difficultés, pédagogie adaptée, etc). Il ne suffit pas d’avoir pratiqué quelques années en recopiant des modèles pour pouvoir enseigner cette discipline…
– Pratiquer en regardant des livres ou des vidéos peut être utile lorsque vous avez déjà une bonne maîtrise, mais certainement pas au début de l’apprentissage. En effet, le problème n’est pas d’avoir un bon modèle à observer mais d’avoir quelqu’un qui vous observe et vous corrige, ce qu’une vidéo ne pourra jamais faire.
– Si vous n’avez pas de professeur à proximité, essayez de faire au moins quelques stages intensifs de quelques jours pour acquérir des habitudes et des gestes justes vous permettant de progresser sans errer dans toutes les directions. Pour cela, n’hésitez pas à vous déplacer, cela en vaut la peine et vous fera gagner des années dans votre progression. C’est ce que font la plupart de mes élèves qui habitent trop loin pour suivre des cours réguliers.
– Ne choisissez pas un professeur spécialiste d’une autre discipline (professeur de langue chinoise, maitre de Zen, d’arts martiaux ou autre) qui peut parfois être également un calligraphe acceptable mais qui ne peut en aucun cas remplacer un véritable enseignant professionnel de la calligraphie.
J’espère que vous me pardonnerez d’être aussi direct dans mes conseils. Ils n’ont pour seul objectif que d’essayer de vous aider dans votre recherche. L’art est long à acquérir et la vie est trop courte pour se disperser en expériences inutiles. Je vous souhaite beaucoup de progrès et d’épanouissement dans l’apprentissage de cette merveilleuse discipline ! #BeginnerCalligrapher #ChuSuiliang #RegularStyle #Resources
Visit the forum at http://bit.ly/2N0BhgO to join the discussion on Inkston Oriental Art Community Inkston Oriental Art Community » All Posts https://ift.tt/eA8V8JFor technique and basic skills this chap on youtube has lots of videos – the link below has basic strokes and leads to more videos in the same series. He has recently posted some different styles (clerical etc) and videos where he copies famous texts, but there are loads of kai shu videos;
This chap below (田英章 Tian Ying Zhang) is quite famous and his calligraphy is very clear and standard. I watch a lot of his videos for the technique and the execution – a practice session always seems to be better after watching him!;
#BeginnerCalligrapher #ChuSuiliang #RegularStyle #Resources
Visit the forum at http://bit.ly/2MPhRvq to join the discussion on Inkston Oriental Art Community Inkston Oriental Art Community » All Posts https://ift.tt/eA8V8JThanks for some really helpful information 🙂
Visit the forum at http://bit.ly/2FcAL90 to join the discussion on Inkston Oriental Art Community Inkston Oriental Art Community » All Posts https://ift.tt/eA8V8JRecently Bruges Confucius Institute came with inkston to visit the Old Hu Kai Wen Factory to see how the traditional inksticks are made by masters. We found a lot of very interesting things to share.... #InkSticks
Clic Visit to Old Hu Kai Wen Factory para más información Inkston
http://bit.ly/2I7xTMJ published first on Inkstonhere are all the ink articles:
Visit the forum at http://bit.ly/2K64iWf to join the discussion on Inkston Oriental Art Community Inkston Oriental Art Community » All Posts https://ift.tt/eA8V8JA really good link. Thanks. #ChineseArt
dominicrablah.All these are produced by 徳记胡开文 Deji Hukaiwen factory. Personally, I’ve never used their ink, but as far as I know their reputation is not very good.
The first one is called “唐墨” (Tang Mo), an oil soot ink (it says 书画油烟墨, “calligraphy and painting oil soot ink”, on the box). Many factories make some version of the “唐墨” mold and it is usually a middle-grade oil soot ink, but the exact recipe varies from one factory to another. 纯松烟 is literally pure pine soot.
For historical reasons, there are many factories with Hukaiwen in their name. Talking about new ink, 屯溪胡开文 Tunxi Hukaiwen (registered trademark 胡开文 Hukaiwen) and 绩溪胡开文 Jixi Hukaiwen (registered trademark 苍佩室 Cang Pei Shi) are generally considered good, 歙县老胡开文 She County Old Hukaiwen (registered trademark 李廷珪 Li Tinggui) is supplied at Inkston. Tunxi and She County Old Hukaiwen were two of the state-owned ink factories in the last century. #Inkstick
multapaakku.You can also find many articles written by inkston about inksticks. 🙂 Hope you enjoyed reading them and using materials from inkston.
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Very interesting! I especially liked the video about the production of ‘Chinese Colour’. I’d love to know more about the production process of colour chips. Since I make some of the coloured pigments I use myself, I’d really like to know more about the traditional process of pigment and colour chip preparation as it is done in China. If anyone has any further information on that topic I would be grateful to hear it. #KamagraBrisbaneMatEmbaloChinesevideos
Visit the forum at http://bit.ly/2MuZj3d to join the discussion on Inkston Oriental Art Community Inkston Oriental Art Community » All Posts https://ift.tt/eA8V8J<p style=”text-align: center;”>BUYING INK STICKS.</p>
This is just a heads up (warning) to those who may be new to the Chinese Arts.
Buying your ink sticks.
Be careful when looking on places like ebay.
Some pointers are as follows (but are not set in concrete BUT will help you stay out of trouble until experience kicks in)
1. Make sure it has a box.
2. How much is it? Very expensive?
3. What does it look like.
OK so 1. If it doesnt have a box probably it was a cheapie and someone has doctored it to look like something ancient.
Expensive ink sticks lose value unless you can actually use them in the shop if they dont have an elaborate wooden box.
$750 ink sticks dont come in celophane “off the peg” wrapping.
2. Is it really expensive…. ? Then read about it and ask yourself why is it so expensive. Normally it should have a recipe name or type title like “Tang Mo” or similar. if the seller hasn’t added information you feel warrants the sticks purchase….. dont buy it.
If you suspect something…… be cautious and trust your instincts.
3. If it looks like aged wood or has been made to look “antique” or old…. forget it. Soot never ages visually like that. It should look as good as it did when it came out of the mold.
Study the image here below.
The edges are really cracked and chipped BUT there are no impacts on the face!!!
There looks like what appears to be white Flour on the surface. Or something pale and white oddly as if to make it look faded and old. It isnt dust as that is all colours.
And if this “faded” effect is supposed to be real are we trying to say soot ink fades to white when its old!!!!!!!!!!????????????
Lets not be stupid.
Keep looking.
The edges are chipped away where, across the years, tiny impacts have taken place but there are NONE on the flat faces OR in the indented seal mark lower down. That is pristine without marks or damage.
has the seller list graded the ink stick?
That is, is it 101, 102 or 103.
103 is student grade.
102 is intermediate accomplished calligrapher grade.
101 is top notch and if you can afford it….. what you need.
For me, no grading?
No buy!
So would you say this ink stick below was on sale for $117?
Or $32.
It is $32.
But even then remember there are soot ink sticks on sale everywhere for $2 which are 70% glue.
Useless if you are serious about calligraphy.
It wouldn’t be difficult to “age damage” them.
Ask the seller what happened to the box. Generally a box is ALWAYS with the ink stick. Odd for it not to be. People treasure ink sticks especially if they’ve paid high prices for high quality.
Always look and think.
Make sure your supplier has a reputation of quality.
Everything will fall into place after that.
These ink sticks are ancient, pristine and were expensive and as a result make stunningly easy pitch black ink.
They are mine. They are old but look like they were made yesterday.
I have also been victim to buying “ink stick sets” 14 in an ornate box only to find they are glue ornaments. £150 down the drain.
We all learn our lessons.
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Hello,
I’m collector of inksticks for few years and I’ve several hundreds of them.
I’m looking for informations about inksticks collection but it’s so hard to find just a few. It’s a shame for a thing so rich in art and Chinese history, lots of technics for make it, awesome sculptures and so, fascinating
Do you know a book about it, even if in Chinese, or a website speaking about? Please?
Thanks a lot
Benjamin
For show, some pictures of beautifull inksticks
Hi, I find ink sticks from time to time I can not identify and would like to know what those are.
Especially because I am looking for good purchases.
https://www.amazon.de/gp/product/B00JVSMWA8/ref=ox_sc_saved_title_1?smid=A2HSFPQG9EH8HP&th=1
https://www.amazon.de/gp/product/B00JVSO65M/ref=ox_sc_saved_title_1?smid=A2HSFPQG9EH8HP&th=1 #Inkstick
Visit the forum at http://bit.ly/2JVZ2UY to join the discussion on Inkston Oriental Art Community Inkston Oriental Art Community » All Posts https://ift.tt/eA8V8JINKSTON Gold Fleck Decorative Paper 70 * 138 cm (5 sheets) $15.00 (USD) #Paper #HalfSizedXuanPaper #DecorativeXuanPaper #ChineseCalligraphy #Calligraphy #ChinesePainting
Clic INKSTON Gold Fleck Decorative Paper 70 * 138 cm (5 sheets) para más información Inkston
New! available at: http://bit.ly/2WnczLS from Products – InkstonThis paper is specially processed by animal gelatine. Therefore, it feels like half-cooked xuan paper. It is very user friendly and suitable for all levels calligraphy and Chinese flower & bird painting.
#Paper #MulberryPaper #HalfSizedXuanPaper #JapanesePaper #PracticeXuanPaper #Calligraphy #ChinesePainting
Clic Ancient Recipe Lu Xuan Paper (100 sheets) para más información Inkston
New! available at: http://bit.ly/2XnmNIJ from Products – InkstonCalligrapher: Zhao Ji 赵佶 （Emperor HuiZong 宋徽宗）
Publishing House: Hu Bei Art Publishing House, 1st edition, 1st September, 2015
Page: 22 pages
ISBN: 9787539479262, 7539479264
#ArtBooks #ChineseCalligraphy #Calligraphy #ChinesePainting
Clic Zhao Ji Slender Gold Thousand Characters 赵佶瘦金体千字文 para más información Inkston
New! available at: http://bit.ly/2W4YdL6 from Products – InkstonYou might be interested in our discussions about your topic on inkston facebook page.
And please also check how Old Hu Kai Wen stocks their inksticks. 🙂
#ChineseInkstick
Grade: Professional
Feature: Handmade
Type: half sized/ half cooked 半生熟
The price is for one sheet with size of 60*240cm. We also have other dimensions available: 120 * 240 cm, 40 * 240cm, 35 * 100 cm. If you need other dimensions, please contact us. #Paper #HalfSizedXuanPaper #DecorativeXuanPaper #JapanesePaper #ArtBooks #Calligraphy #ChinesePainting
Clic Inkston La Ran Xuan Paper 60 * 240cm para más información Inkston
New! available at: http://bit.ly/2KkLGRG from Products – InkstonThe price is for one bottle of 30 ml paints. These paints are the finest liquid paints in market. The colour is more durable than Marie's and Sakura's paints.
Product of Jiang SiXu Tang. Like all the Jiang SiXu Tang colours, these paints are made with minerals and plants. However, certain percentage of industrial colours are used in production for these paints.
Packaging: 5.5 * 3.5 * 3.5 cm, 30 ml paints per glass bottle. The packaging is more practical than both Marie's and Sakura's tube because glass bottle is more durable than the tubes.
Usage: the paint is ready for use directly. For different degrees of colours, you can control it by adding certain amount of clean water. #Inks #ChinesePaintsTubes #IndustrialColour #ChinesePainting
Clic Jiang SiXu Tang Chinese Paint 30ml Tou Qing 头青 para más información Inkston
New! available at: http://bit.ly/2QCpu6n from Products – InkstonThe price is for one bottle of 30 ml paints. These paints are the finest liquid paints in market. The colour is more durable than Marie's and Sakura's paints.
Product of Jiang SiXu Tang. Like all the Jiang SiXu Tang colours, these paints are made with minerals and plants. However, certain percentage of industrial colours are used in production for these paints.
Packaging: 5.5 * 3.5 * 3.5 cm, 30 ml paints per glass bottle. The packaging is more practical than both Marie's and Sakura's tube because glass bottle is more durable than the tubes.
Usage: the paint is ready for use directly. For different degrees of colours, you can control it by adding certain amount of clean water. #Inks #ChinesePaintsTubes #IndustrialColour #ChinesePainting
Clic Jiang SiXu Tang Chinese Paint 30ml San Qing 三青 para más información Inkston
New! available at: http://bit.ly/2JQeO3N from Products – InkstonThe price is for one bottle of 30 ml paints. These paints are the finest liquid paints in market. The colour is more durable than Marie's and Sakura's paints.
Product of Jiang SiXu Tang. Like all the Jiang SiXu Tang colours, these paints are made with minerals and plants. However, certain percentage of industrial colours are used in production for these paints.
Packaging: 5.5 * 3.5 * 3.5 cm, 30 ml paints per glass bottle. The packaging is more practical than both Marie's and Sakura's tube because glass bottle is more durable than the tubes.
Usage: the paint is ready for use directly. For different degrees of colours, you can control it by adding certain amount of clean water. #Inks #ChinesePaintsTubes #IndustrialColour #ChinesePainting
Clic Jiang SiXu Tang Chinese Paint 30ml Bright Purple 青莲 para más información Inkston
New! available at: http://bit.ly/2QGjoSD from Products – InkstonThe price is for one bottle of 30 ml paints. These paints are the finest liquid paints in market. The colour is more durable than Marie's and Sakura's paints.
Product of Jiang SiXu Tang. Like all the Jiang SiXu Tang colours, these paints are made with minerals and plants. However, certain percentage of industrial colours are used in production for these paints.
Packaging: 5.5 * 3.5 * 3.5 cm, 30 ml paints per glass bottle. The packaging is more practical than both Marie's and Sakura's tube because glass bottle is more durable than the tubes.
Usage: the paint is ready for use directly. For different degrees of colours, you can control it by adding certain amount of clean water. #Inks #ChinesePaintsTubes #IndustrialColour #ChinesePainting
Clic Jiang SiXu Tang Chinese Paint 30ml Deep Green 深绿 para más información Inkston
New! available at: http://bit.ly/2JQFTng from Products – InkstonRecently, I bought my first higher quality inksticks and since they are so wonderful to use, I immediately decided that it would be a wise decision to build for the future and stash some extra inksticks away for aging. As a relative novice to Chinese painting I am not sure about the best way to store them, though.
I know the basics: to keep them in their wooden box and to store them in a dry and shaded place. But how about the plastic wrapper that encloses the inkstick inside the box. Should that be left on or taken off? And do inksticks benefit from an annual airing, like paper does? Also, I read that inksticks are finished with a thin protective layer of glue, so would it be harmful to try them out before long-term storage, as it would remove that layer from one end?
I would be grateful to anyone who could offer more information on the subject.
Visit the forum at http://bit.ly/2MmgsMu to join the discussion on Inkston Oriental Art Community Inkston Oriental Art Community » All Posts https://ift.tt/eA8V8JThe state of your brushes depends a lot on how you treat them. For example, I never let my brushes dry after only rinsing them with tap water. When they are cleaned, I rinse them quickly with demineralized water to prevent the limestone from hardening them by drying. How to smooth the hair before drying is also essential. And, of course, they have to dry the tip down.
When I started teaching, I noticed that some of my students’ brushes died after a few days, while some of my students were over 30 years old and looked almost new. Since then, I try to teach them how to correctly treat their material …
But especially, the brush ages badly if the ink is bad, the ink stone too rough and especially if the movements of the brush lack of fluidity and constantly grip the paper. When one has to “slightly” torture the brush to obtain certain effects (rocks, tree bark, etc.), it is better to use old brushes (either “bad brushes” or, preferably, good brushes that are degraded over time).
All this reminds me of Prince Wen’s cook, of whom Zhuangzi speaks.
庖為文惠君解牛，手之所觸，肩之所倚，足之所履，膝之所踦，砉然嚮然，奏刀騞然，莫不中音。合於桑林之舞，乃中經首之會。
文惠君曰：「嘻，善哉！技蓋至此乎？」
庖丁釋刀，對曰：「臣之所好者道也，進乎技矣。始臣之解牛之時，所見無非全牛者。三年之后，未嘗見全牛也，方今之時，臣以神遇而不以目視，官知止而神欲行。依乎天理，批大郤，導大窾，因其固然。技經肯綮之未嘗，而況大軱乎！
良庖歲更刀，割也；族庖月更刀，折也。今臣之刀十九年矣，所解數千牛矣，而刀刃若新發於硎。彼節者有閒，而刀刃者無厚，以無厚入有閒，恢恢乎其於游刃必有餘地矣，是以十九年而刀刃若新發於硎。雖然，每至於族，吾見其難為，怵然為戒，視為止，行為遲。動刀甚微，謋然已解，如土委地。提刀而立，為之四顧，為之躊躇滿志，善刀而藏之。」
文惠君曰：「善哉！吾聞庖丁之言，得養生焉。」
You can read a translation here:
http://www.bopsecrets.org/gateway/passages/chuang-tzu.htm
L’état de vos pinceaux dépend énormément de la façon dont vous les traitez. Par exemple, je ne laisse jamais sècher mes pinceaux après les avoir seulement rincés à l’eau du robinet. Lorsqu’ils sont nettoyés, je les rince rapidement à l’eau déminéralisée pour éviter que le calcaire ne les durcisse en sèchant. La façon de lisser les poils avant de les mettre à sécher est également essentielle. Et, bien sûr, il faut qu’ils sèchent la pointe en bas.
Lorsque j’ai commencé à enseigner, j’ai observé que les pinceaux de certains de mes étudiants étaient morts au bout de quelques jours, alors que certains des miens avaient plus de 30 ans et paraissaient presque neufs. Depuis, j’essaie de leur apprendre à correctement traiter leur matériel…
Mais surtout, le pinceau vieillit mal si l’encre est mauvaise, la pierre à encre trop rugueuse et surtout si les mouvements du pinceau manquent de fluidité et acrochent en permanence le papier. Lorsqu’on doit un peu “torturer” le pinceau pour obtenir certains effets (rochers, écorce d’arbre, etc), il vaut mieux utiliser de vieux pinceaux (soit de “mauvais pinceaux” soit, de préférence, de bons pinceaux qui se sont dégradés avec le temps).
Tout ceci me fait penser au cuisinier du prince Wen, dont parle Zhuangzi.
Vous pouvez en lire une traduction ici:
#BrushGrade #BrushQuality. #OldBrush #ReplaceBrush
Visit the forum at http://bit.ly/2WUPJaJ to join the discussion on Inkston Oriental Art Community Inkston Oriental Art Community » All Posts https://ift.tt/eA8V8JFor calligraphy, you need dark black and fluidity (not too sticky ink). The both inks Li Ting Gui and Royal ink are correct. I often use also japanese inkstick that are excellent but much more expansive. This is for oil soot ink. But if you want to copy ancient calligraphy masters on a “looking old” paper, I advice you to use a good pine soot ink, in order to get deeper dark instead of too glossy strokes, particularly if you practice xiaokai on a shuxuan paper, because when the ink does not penetrate the paper and dry on the surface, it becomes more brillant.
#LiTingGuiInkstick
Visit the forum at http://bit.ly/2El51Ou to join the discussion on Inkston Oriental Art Community Inkston Oriental Art Community » All Posts https://ift.tt/eA8V8JBonjour. Pour avoir une réponse précise, il faut que vous formuliez différemment votre question. En effet, ce qui distingue les papiers, ce n’est pas qu’ils soient faits pour “débutant” ou pour “expert”. Il faut un marteau pour planter un clou et un tournevis pour enfoncer une vis (et pas le contraire), peu importe qu’on soit professionnel ou amateur !
Le sumi-e est le nom japonais d’une école de peinture originaire de Chine et dominant à l’époque de Muromachi (entre 1336 et 1573), qui se caractérise techniquement par des lavis à l’encre noire et qui se rapproche philosophiquement du bouddhisme zen.
En conséquence, pour ce qui est du matériel et des supports, c’est identique à ce qu’on utilise dans la peinture chinoise de type “xieyi 寫意 [expression spontanée]. Il vous faut donc privilégier les papiers “crus” ou “partiellement crus/partiellement cuits”, c’est à dire des papiers plus ou moins absorbants. C’est le premier point.
Mais ce qui va déterminer plus précisément votre choix, et qui explique la multitude de papiers disponibles, ce sont d’autres critères, que vous ne mentionnez pas :
1. Que peignez-vous ? Petites fleurs (orchidées), grandes fleurs (pivoines), bambous, oiseaux, paysages ?
2. Laissez-vous le fond blanc, en peignant le sujet principal en une seule séance, ou bien faites vous des lavis successifs (nuages, brumes, atmosphère de fond) qui imposent de mouiller plusieurs fois le papier ?
3. Quel est le format de vos œuvres ? 20 X 30 cm ou plutôt 70 X 100 cm ?
4. Faites-vous des copies d’œuvres anciennes qui demandent des papiers à l’aspect “vieilli” ou pas ?
5. S’agit-il d’exercices que vous jetterez ou conserverez dans un tiroir ou d’œuvres que vous destinez à monter sur rouleau ou encadrer et dont vous espérez plusieurs siècles de longévité ?
Selon vos réponses à chacune de ces questions, il est possible de vous guider dans le choix du papier le mieux adapté.
Enfin, une dernière question : n’avez-vous pas un professeur pour vous aider à choisir votre matériel ?
Eric Marié
Enseignant de peinture et de calligraphie chinoise
http://calligraphie-peinture-chinoise.com/ #SumiE
Hello. To have a precise answer, you need to formulate your question differently. Indeed, what distinguishes the papers, it is not that they are made for “beginner” or for “expert”. It takes a hammer to plant a nail and a screwdriver to drive a screw (and not the opposite), no matter whether one is professional or amateur!
Sumi-e is the Japanese name for a school of painting originally from China dominating at the time of Muromachi (between 1336 and 1573), which is technically characterized by black ink washes and is philosophically close to Zen Buddhism.
As a result, in terms of material and media, it is identical to what is used in Chinese “xieyi” (spontaneous expression) painting, so you have to give preference to “raw” or “partially” papers. raw / partially cooked “, ie more or less absorbent papers, this is the first point.
But what will determine more precisely your choice, and which explains the multitude of papers available, are other criteria, which you do not mention:
1. What are you combing? Small flowers (orchids), large flowers (peonies), bamboo, birds, landscapes?
2. Do you leave the white background, painting the main subject in one sitting, or do you make successive washings (clouds, mists, background atmosphere) that require to wet the paper several times?
3. What is the format of your works? 20 X 30 cm or rather 70 X 100 cm?
4. Do you make copies of old works that ask for “aged” papers or not?
5. Are these exercises that you will throw or keep in a drawer or works that you intend to mount on roll or frame and that you hope for several centuries of longevity?
Depending on your answers to each of these questions, it is possible to guide you to the best paper. #SumiE
Visit the forum at http://bit.ly/2YDZMRI to join the discussion on Inkston Oriental Art Community Inkston Oriental Art Community » All Posts https://ift.tt/eA8V8JToothbrush and toothpick is quiet enough to keep it clean (but you have to clean the toothbrush with soup and water, sometimes to time). #ChineseSeal #CleanChineseSeal
Visit the forum at http://bit.ly/2WQKcSB to join the discussion on Inkston Oriental Art Community Inkston Oriental Art Community » All Posts https://ift.tt/eA8V8JThere are some interesting articles about traditional paintings in Shanghai daily online edition:
https://www.shine.cn/Traditional-Chinese-painting/
These are setting the paintings in their historical context more than specifically commenting on materials and techniques.
#ChineseArt
Visit the forum at http://bit.ly/2WQFu7n to join the discussion on Inkston Oriental Art Community Inkston Oriental Art Community » All Posts https://ift.tt/eA8V8Jhttp://bit.ly/2YFdUud thoughtful exhibition by selection of contemporary artists
The post Chinese Landscape Rethought appeared first on Inkston Oriental Art Community.
I.M.Pei is very much in the news this week on his passing at age 102
I. M. Pei, Venerated Architect Behind Iconic Museums, Is Dead at 102
His architecture always aimed to be timeless. As well as his famous modern pieces such as his pyramid at the Louvre he also designed pieces connecting the past and present such as the Suzhou museum, picture from ArtNews:
“In China, architecture and the garden are one. A Western building is a building, and a garden is a garden. They’re related in spirit. But they are one in China.”
Visit the forum at http://bit.ly/2YEoXUf to join the discussion on Inkston Oriental Art Community Inkston Oriental Art Community » All Posts https://ift.tt/eA8V8J
I am looking for some papers for sumi-e but I am feeling a little overwhelmed with all the choices. Do some of you have some recommendations for good starting papers?
I was thinking about getting the sample pack but I think I would like to get some more papers with my first order, any recommendations? 🙂
Visit the forum at http://bit.ly/2Wep2AD to join the discussion on Inkston Oriental Art Community Inkston Oriental Art Community » All Posts https://ift.tt/eA8V8JGreat, thank you for your precious suggestions… I’ll keep practicing treasuring your hints! #BeginnerCalligrapher #ChuSuiliang #RegularStyle #Resources
Visit the forum at http://bit.ly/2VnQ7gc to join the discussion on Inkston Oriental Art Community Inkston Oriental Art Community » All Posts https://ift.tt/eA8V8Jhttps://www.liawei.org/ink-art-week
Exhibition of contemporary art of Chinese calligraphy and painting until 30th of May.
Really worthy to pay a visit, beautiful works. There is also another project running from this author Lia Wei called “Lithic Impressions”. Main subject is rubbing which is very common in China where they rub engravings from calligraphy masters. They took it a bit further and rub any surface with an interesting relief. #ContemporaryArt #InkArtBrussels #LithicImpressions #Rubbings
Visit the forum at http://bit.ly/2YwSTlt to join the discussion on Inkston Oriental Art Community Inkston Oriental Art Community » All Posts https://ift.tt/eA8V8JEventually, all the styles you mention are good to practice and the noted calligraphers of history all have something to offer. I would say to continue to practice those you seem to have an affinity for; eventually you will also try others. My teacher has me work constantly on kaishou “standard” styles he gives me models for. But I also do standard from others. It is all good. In addition, be sure to work on various sizes, from very small to single character with large brush. Such a challenge! Good Luck! #BeginnerCalligrapher #ChuSuiliang #RegularStyle #Resources
Visit the forum at http://bit.ly/2JkE6Xs to join the discussion on Inkston Oriental Art Community Inkston Oriental Art Community » All Posts https://ift.tt/eA8V8JHello ema.ballo
For beginners it is usually recommended to copy styles from Yan Zhenqing or Liu Gongquan or Ouyang Xun or Zhao Mengfu. Simply because these were the greatest four calligraphers in the regular script. By mastering one of their styles you will master everything you need to know of the regular style (kaishu).
I am not that familiar with the calligrapher Chu Suiliang, I looked up his calligraphy and it’s not that bad. Although there are some typical techniques just for his style. If you want to copy and learn these , by all means go ahead.
In China they tend to recommend you to learn a style from a calligrapher even though you do not feel ‘connected’ with this style. I personally think that you should have some kind of ‘connection’ with the style you do that way your learning curve will be better because you have a better motivation 🙂
It also depends on the learning material/resources you have, like books etc. Hope this helped you a bit #BeginnerCalligrapher #ChuSuiliang #RegularStyle #Resources
Visit the forum at http://bit.ly/2JBpgLv to join the discussion on Inkston Oriental Art Community Inkston Oriental Art Community » All Posts https://ift.tt/eA8V8JHi All,
following up on Riekjecares’s post and the topic of names, I would like to know if you can suggest any good source that can lead you to choose your Chinese name. Since I would really like to have a seal carved, I want to first of all choose a good Chinese name to start with.
Any book you can recommend in English that guides you through this is more than welcome!
Thanks! #ChineseNameForEuropeans
Visit the forum at http://bit.ly/2JhUKXs to join the discussion on Inkston Oriental Art Community Inkston Oriental Art Community » All Posts https://ift.tt/eA8V8JVery nice work! #豬Painting
Visit the forum at http://bit.ly/2WDutGk to join the discussion on Inkston Oriental Art Community Inkston Oriental Art Community » All Posts https://ift.tt/eA8V8JHi! I’m Bekah and I’m an artist and designer living in the US. I discovered Inkston while doing research on ancient Chinese silk painting (Gongbi). The methods and timeless techniques intrigued me and I am...
The post Bekah Badilla appeared first on Inkston Oriental Art Community.
http://bit.ly/2YqMVTb New artist directory entry by bekahbadilla.art on Inkston Oriental Art Community https://ift.tt/eA8V8J
Wild boar with her baby in sumi-e style to celebrate the year of the pig.
The size is 35 x 23 cm and it’s painted on Xuan-paper with just ink, made from a Japanese inkstick. The ink is still wet. The brush I’ve used is Inkston Initial 3. For the background I’ve used a hake brush. #豬Painting
Visit the forum at http://bit.ly/2HcDqkq to join the discussion on Inkston Oriental Art Community Inkston Oriental Art Community » All Posts http://bit.ly/2Ykcbu7What kind of scheduling issue do you have? Something we can help with? #CalligraphyTripBruges #FieldTripChina #MaterialTrip
Visit the forum at http://bit.ly/2Yli3TW to join the discussion on Inkston Oriental Art Community Inkston Oriental Art Community » All Posts https://ift.tt/eA8V8JHello, can anyone help me identify the artist on a painting I found at my jobsite 
These are indeed very interesting videos ! Thank you for sharing
There are more good video’s on Youtube, but you have to really dig deep for them. Plus most of them are in Chinese without any English translations or subtitles. Here are some more :
Chengming Hu and his handmade Chinese brush | https://www.youtube.com/watch?v=tnwOZ5DpZl4
The most famous art community in China – nearby West Lake | https://www.youtube.com/watch?v=n0kA84tqDWc
<h4>More an overview of the history of Chinese painting</h4>
1/2 The Culture Show : The Art Of Chinese Painting | https://www.youtube.com/watch?v=OSszFPOX2Pc
2/2 The Culture Show : The Art Of Chinese Painting | https://www.youtube.com/watch?v=AMwo_qPoZH8
#KamagraBrisbaneMatEmbaloChinesevideos
Visit the forum at http://bit.ly/2HdZGdX to join the discussion on Inkston Oriental Art Community Inkston Oriental Art Community » All Posts https://ift.tt/eA8V8JHi All, I would like to ask you a question about calligraphy styles. I am a more or less a beginner who has learnt the little he knows so far from books and video sources, not having the time to regularly attend calligraphy courses (too sad…). Nonetheless, I practice over and over again as soon as I have the chance to. Often I happen to read about the importance for beginners to practice the styles of Yan Zhenqing or Liu Gongquan because of the proportions and harmony of composition they are able to teach you. What do you think about this? To be honest, I have tried to copy the style of Chu Suiliang and I definitely have the impression of being by far more apt to it, since I usually get very disappointed with my attempts at Yan or Liu styles…
Any tips/ideas/suggestions?
Thank you!!
Visit the forum at http://bit.ly/2Yoea0G to join the discussion on Inkston Oriental Art Community Inkston Oriental Art Community » All Posts https://ift.tt/eA8V8JAuthor: various
Publishing House: Zhe Jiang People's Art Publishing House, 1st edition, 1st June, 2016
Name: Song Dynasty Flower and Bird Painting Album 宋代花鸟
Page: 39 pages
ISBN: 9787534048500, 7534048508 #ArtBooks #FlowersAndBirdsPainting #SongDynastyPaintings #Gongbihua #ChinesePainting #%e5%b7%a5%e7%ac%94%e7%94%bbGongbiPainting #Flowers
Clic Song Dynasty Flower and Bird Painting Album 宋代花鸟 para más información Inkston
New! available at: http://bit.ly/2LyqqKn from Products – Inkston| Brand | Jiang SiXu Tang 姜思序堂 Jiang SiXu Workshop is the most prestigious natural mineral colour workshop in China, and a China “Time-Honoured Brand” providing the highest grade Chinese natural mineral colours for professionals for over 350 years. |
|---|---|
| Materials | Artemisia Argyi Fibre Castor Oil Cinnabar Cinnabar or Vermillion is the naturally occurring mineral mercury sulphide (HgS). Inorganic mercury such as the mercury found in cinnabar is the least toxic form of mercury and has a long history in traditional Chinese medicine, ancient Roman makeup, Hindu Bindi forehead marking and Sindoor hair marking but should still be considered toxic and handled with care, especially in powder form. The US Center for Disease Control and Prevention states:
There’s an informative article with references on owlcation.com stating:
GHS Statements GHS07-1: Exclamation Mark Signal word: Warning Hazard designation
Safety Information
|
| Packaging | |
| Recommend to | |
| Suitable for | |
| Grade | Top Grade |
| Shipping | Standard Standard small packet item |
| Product Weight | 30 |
| Shipping size | 9 × 9 × 5.5 cm |
| Shipping weight | 300 g |
| SKU | ink-jsxtzpzb01-12250 |
| UPC | 601285837956 |
Author: 怀素 Huai Su
Publishing House: Zhe Jiang Classics Publishing House, 1st edition, 1st January, 2016
Name: 怀素《自叙贴》最美的字 Huai Su <Zi Xu Tie> The Most Beautiful Characters
Page: 93 pages
ISBN: 9787554005552
#ArtBooks #Calligraphy #XingCao #%e5%b7%a5%e7%ac%94%e7%94%bbGongbiPainting
Clic 怀素 Huai Su Cursive Script 自叙贴 Zi Xu Tie para más información Inkston
New! available at: http://bit.ly/2H9kymp from Products – InkstonThis is a very helpful tool for you to practice Chinese painting strokes. The mat is made with fine silk, natural wood, and fine special material. The special practice layer is mounted in a silk roll.
How it works?
Use clean water to paint with brush. Once the mat is dry, the painting you did will disappear and you can reuse the mat again.
You can see more details in this video clip on inkston youtube channel:
#Paper #SizedXuanPaper #DecorativeXuanPaper #PracticeXuanPaper #ArtBooks #Gongbihua #Calligraphy #ChinesePainting
Clic Practice Blank Painting Mat para más información Inkston
New! available at: http://bit.ly/2J6CoIn from Products – InkstonFine Taiji (Tai Chi) Inkstone with Cover $57.00 (USD) #Inkstone #ReadyMadeAndEntryLevelInkstones #Calligraphy #ChinesePainting
Clic Fine Taiji (Tai Chi) Inkstone with Cover para más información Inkston
New! available at: http://bit.ly/2UVurwO from Products – Inkstoni am orilofeskix
and need to help. What can i change theme? #INeedToHelp
