I’ve discovered ”Slender Gold” (瘦金体) style of calligraphy and want to ask which brush hair/combinations would you recommend? I suspect a sharp point weasel style would do it, but I’d like to ask if that would seem good to try.
Galleries & stories, Xuan papers & brushes, Sheyan inkstones, Old Hu Kai Wen inks, JingdeZhen art ceramics Largest range online at fair workshop prices.. -- also in Spanish -- también en Español https://www.inkston.com/es/ --
Thursday, March 26, 2020
”Slender Gold” (瘦金体) style brush?
Sunday, March 8, 2020
Reply To: Mounting paste
Hi,
I do all my own backing/mounting including very large works. I also teach simple mounting on wood and canvas with much success.
There are a number of ways depending on who is your teacher or what book/video you consult. Henry Li’s are good so you can’t go wrong there.
For small pieces (8×10 and smaller) I use Nori paste or make my own with cornstarch. For very large pieces which require an initial backing, I make a flour-based paste. If you have used good quality ink (preferably ink stick) and Chinese or Japanese colours (tube, pan or granules), you should not have to worry about the water damaging the painting. These substances are made with a glue that renders the ink and colours permanent when dry. However, if you like to use watercolours made in the Western tradition, you can spray them with a fixative made for watercolour artists. Be aware though that this fixative can sometimes discolour the delicate washi (rice papers) so use with a light hand and caution. Test it first always on practice pieces.
Below, I have attached some recipes (home-made pastes) and a mounting method for you to try. My advice is – just try it! The alum water approach is also good by the way. PS RE: rather than glass, use plexiglass. Safer.
Best of luck to you! Sincerely, Heather
[Disclaimer: This method was passed along to me by a fellow artist. I have rewritten them and changed a few things based on my own experience. Some knowledge and experience regarding the treatment and handling of paintings on rice paper is assumed, and as such, I take no responsibility for any errors or problems with artwork that may occur during or after using this method. Good luck!]
How to mount onto a Wood (Box) Frame
Materials & Tools:
Wood frame – usually made from birch, and either regular depth or gallery depth
Rice paper a little larger than wood frame
**Acrylic medium of your choice
Your painting – preferably with the paper slightly larger than the finished piece will be
Acid-free paste (see recipes)
2” to 3” clean hake brush for paste – reserve for paste only!
2” to 3” clean hake brush for use with acrylic medium – reserve for medium only!
Spray bottle filled with water – for fine mist
Method:
Ensure wood frame surface is clean and dry
Lay your painting on the wood frame where you would like it to sit and gently fold down edges to make a slight impression
Paint a thin layer of acrylic medium on frame to alkalize the surface & let dry
Spray mist a piece of plain rice paper to relax paper
Spread acid-free paste on surface of wood frame and use wax paper to smooth it starting from center outwards, then along edges, etc. Remove air bubbles and wrinkles gently. Cover with a piece of wax paper and let dry under some weight
Mist your painting to relax the paper, keep track of where you wanted it to sit on the wood frame (fold lines)
Spread paste on surface of wood frame and smooth painting on it to remove air bubbles and wrinkles without being too rough or the paper will pill – let dry
Optional: spread a thin layer of clear acrylic medium, preferably one that has UV protection, over the finished mounted painting
The finished work can be framed in a float frame or left unframed. Some ideas for finishing without additional framing include painting the sides with acrylic paint (black, white, etc.) or covering the sides with matching paper using the same glue process. Don’t forget to put your name, date and title of work on the inside back! Best to write these details on a piece of paper and glue it on the inside.
Use appropriate hanging hardware such as sawtooth hangers for small pieces, or traditional wire with eye hooks for larger works. There are quite a few options to hang artwork.
**Various brands such as Golden, TriArt, Liquitex, etc. matte or semi-gloss acrylic medium
TIP: Use a permanent marker to write on your mounting brushes: PASTE ONLY, MEDIUM ONLY. Wash them well with warm water and soap. Keep them clean (away from paint, ink, etc.)
PASTE RECIPES
Ottawa School of Art 2020
Heather MacDonald, Instructor
Commercial Paste
Nori (Yasutomo brand) is a starch paste that is great for mounting smaller works. One jar lasts a long time!
Home-made Pastes
1. Wheat paste – made with pastry flour (low gluten)
2. Starch paste – made with cornstarch or rice flour (similar to Nori Paste)
These pastes are generally reversible (they can be undone with water) unlike white glue.
Wheat Paste
Traditional paste which can be made on the stove or in the microwave.
A word about Water:
If you want to be more archival, use distilled water to make your pastes. At the very least, I use filtered tap water from the fridge.
Microwave Method
¼ cup pastry flour
1 cup cold water
Thoroughly mix the flour into ¼ cup cold water. Remove all lumps. Boil the remaining ¾ cup water and then slowly pour the flour into it, whisking/mixing as you do so. It should start to thicken up. Microwave it in 30 second increments until it is thick enough. Store in the fridge in a clean jar or airtight container.
Stove-Top Method
1 part pastry flour*
4 ½ parts cold water
* For example: if you start with ½ cup of flour, then add 2 ¼ cups cold water. This makes quite a bit of paste. You may want to start with half this amount.
Combine flour and water with a whisk. Stir out all lumps. Place over low to medium heat. Stir nearly constantly until first bubbles appear as it approaches the boil. If you don’t watch and stir, the mixture will stick to the pot and scorch. Stir 30 seconds longer. Remove from heat immediately or you will end up with a mixture resembling rubber. Let cool, and paste away. It can be thinned with water if need be. Store in a clean air-tight container in the fridge. Keep it until it starts to smell bad.
————————————————————————
Starch Paste
Cornstarch or rice flour, when mixed with water and cooked, makes a smooth shiny paste that is strong when dry.
Microwave Method
Mix ¼ cup cornstarch or rice flour with enough cold water to make a smooth thick paste.
Stir in a cup of cold water and place in microwave for about 1 minute on HIGH power. Take it out and stir. As it thickens, be careful not to let it get rubbery. Check it after each 30 second increment. It is better to take it out and check it after each increment.. You want to have an almost pudding-like thickness – the paste will take on a translucent, slightly shiny look. Let it cool a bit – it usually thickens up even more as it cools off.
Strain out any lumps by pushing the paste through a sieve with a wooden spoon . Store the paste in a clean airtight container in the refrigerator when you’re finished. It can keep for a while, until it starts to smell bad.
Use the same approach over the stovetop, again watching it so that it does not overboil. Cook on medium-low rather than high heat, stirring constantly. Try not to let it get too thick. If the paste gets VERY thick, it can always be thinned with water. As long as it doesn’t burn, it’s ok. Make sure it is not lumpy! #AlumPaste #GluePaste #Microwave #Mounting #Nori #Paste #WheatPaste
Visit the forum at https://ift.tt/39AFxdB to join the discussion on Inkston Oriental Art Community Inkston Oriental Art Community » All Posts https://ift.tt/3cH0Axe中国加油 for China
On social media you will have encountered some collages or video clips of people/companies with one message to send out to mainly China who has been fighting against the Corona virus.
中国加油
加油 “jiā yóu”, literally means “add oil” but in a more common translation it means “courage” and this combined with 中国 “zhōngguó “ which means China.
As we are enjoying the art that originated in China, why not show our compassion and sympathy by writing these words in your favourite calligraphy style? Share your calligraphy or painting art on the forum or Facebook page of Inkston to show your sympathy 🙂
#China #Courage #SympathyChina #中国加油
Visit the forum at https://ift.tt/3cIe3oD to join the discussion on Inkston Oriental Art Community Inkston Oriental Art Community » All Posts https://ift.tt/2hIZtF6Sunday, March 1, 2020
Reply To: Huang Binhong (1865–1955)
Thank you for posting this very interesting essay. It is also great to have the illustrations. There is a photo of a younger man standing with Mr. Huang and I believe it is the same man I saw here in Ottawa a few years ago. He came for a special event at our National Library and executed some huge calligraphic pieces for the audience. It was very special!
Reply To: “Dream of the Red Chamber” illustrated
Wish I could afford this book! Thanks for posting.
Reply To: Love of Lanterns
Hi Elizabeth
Would love to see your lanterns!
Heather #HandPaintedLanterns
Visit the forum at https://ift.tt/2I5cKSy to join the discussion on Inkston Oriental Art Community Inkston Oriental Art Community » All Posts https://ift.tt/2TvwyUaMonday, February 17, 2020
David Reid – Colourful Inspirations in Materials
Have you encountered difficulties when combining Western painting techniques with Chinese ones? I only use water-based inks on Chinese papers. The inks I use are Australian artist quality (and some European as well) water-based. The... #ChinesePainting #ChinesePaintingOnSilk #OilPainting #PaintingOnSilk #WaterColourPainting
Clic David Reid – Colourful Inspirations in Materials para más información Inkston
https://ift.tt/2SV0Bof published first on InkstonMonday, January 27, 2020
Huang Binhong (1865–1955)
Pleasing to see this academic dissertation online:
https://refubium.fu-berlin.de/handle/fub188/1580?show=full
“The Inner Workings of Brush-and-Ink: A Study on Huang Binhong (1865–1955) as Calligrapher, with Special Respect to the Concept of Interior Beauty (neimei)”
the illustrative pictures are at the end of the pdf….
Visit the forum at https://ift.tt/2U20HN6 to join the discussion on Inkston Oriental Art Community Inkston Oriental Art Community » All Posts https://ift.tt/2hIZtF6Sunday, January 19, 2020
Reply To: Mounting paste
I see that a piece of glass is used as work surface for wetting the artwork.
- where do you find glass that is long enough to do a scroll piece (40 inches or more)?
- what is the board he lays the wet artwork on (the wall)?
Thanks for help, the Henry Li vids are very clear otherwise. #AlumPaste #GluePaste #Mounting #Paste
Visit the forum at https://ift.tt/3663JlQ to join the discussion on Inkston Oriental Art Community Inkston Oriental Art Community » All Posts https://ift.tt/2sCdESfSaturday, January 11, 2020
Become a Japanese Calligrapher – Sol Michiels
From January 2020, Inkston started ‘art afternoon tea’ with artists from various countries in order to explore the art communication between west and east. Are there any contrasts, conflicts, and harmony between west and east... #BelgianArt #ChinesePaintings #JapaneseCalligraphy
Clic Become a Japanese Calligrapher – Sol Michiels para más información Inkston
https://ift.tt/35KRXgp published first on InkstonWednesday, January 8, 2020
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Visit the forum at https://ift.tt/2QCnehn to join the discussion on Inkston Oriental Art Community Inkston Oriental Art Community » All Posts https://ift.tt/2h3hN7V利伯堤大学毕业证成绩单Q薇603012914|
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修改成绩单分数,留信认证,文凭,海外回囯的同学定制毕业.证、真实认证、毕业.证、学位证书、使馆公证、囯外真实学位认证、使馆留学回囯人员证明、录取通知书、Offer、在读证明、雅思托福成绩单
如果您在英、加、美、澳、欧洲等留学过程中或回国后遇到以下问题:
一、工作未确定,回国需先给父母、亲戚朋友看下的情况,办理一份就读学校的毕业证即可
二、回国进私企、外企、自己做生意的情况a,这些单位是不查询毕业证真伪的,而且国内没有渠道去查询国外的真假,也不需要提供真实教育部认证。鉴于此,办理一份毕业证即可
欢迎咨询学历顾问:BillQQ/薇信 603012914
三、进国企,银行,事业单位,考公务员等等,这些单位是必需要提供真实教育部认证的,办理教育部认证所需资料众多且烦琐,所有材料您都必须提供原件,我们凭借丰富的 经验,快捷的绿色通道帮您快速整合材料,让您少走弯路。
→ ★如果您在英、加、美、澳、欧洲等留学过程中或回国后遇到以下问题:学历顾问:Bill【Q微603012914】
◇在校期间,因各种原因未能顺利毕.业,拿不到官.方毕业证书
◇面对父母的压力,希望尽快拿到;
◇不清楚认证流程以及材料该如何准备;
◇回.国时间很长,忘记办理;
◇回.国马上就要找工作,办给用人单位看;
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
→ ★我们为您做的是:
◆办理真实使馆公证(即留学回国人员证明,不成功不收费!!!)
◆办理教育部国外学位留信认证。(网上可查、永久存档、快速稳妥,回国发展,考公务员,落户,进国企,外企,创业,无忧愁)
◆办理各国各大学(世界名校一对一专业服务,可全程监控跟踪进度)
◆全套服务:毕业.证、成绩、单真实使馆公证、真实教育部认证。让您回国发展信心十足!
◆可以提供钢印、水印、烫金、激光防伪、凹凸版、最新版的毕业.证、百分之百让您绝对满意、设计,印刷;毕业.证、成绩、单,真实大使馆教育部认证,速度快。
四、办理流程:
1、收集客户办理信息;
2、客户付定金下单;
3、公司确认到账转制作点做电子图;
4、电子图做好发给客户确认;
5、电子图确认好转成品部做成品;
6、成品做好拍照或者视频确认再付余款;
7、快递给客户(国内顺丰,国外DHL)。
→ ★向您保证: 咨询学历顾问:BillQQ/薇信 603012914 诚招合作代理 诚招各国合作中介
1:最优质的原版毕业.证,成绩、单质量以及最新的版本!
2:最专业耐心的客服咨询老师为您解答您的一切问题!
3:与真实原版文件(毕业.证书,成绩单)使用同样制作材料,质地以及完善各项防伪技术!
一家独立自治的国外文凭代办机构。专针对海外市场。主营业务有:(国外文凭,国外本科文凭,海外研究生文凭,硕士文凭办理,大使馆证明办理,雅思/托福,成绩单,入学通知书等一切相关材料)。 学位范围(国外大学毕业证,国外本科生文凭办理、国外研究生文凭办理、硕士文凭办理,博士学位等)。
◆拥有各国外大学的文凭模版
在公司创办初期,为针对客户对产品的需求量,一直努力的搜集世界各地大学的毕业证书样板,以及相关的硕士文凭样板,专科样板学位证等。因留学生的需求之多,本公司特雇佣多名经专业知识培训的采购员,在全国各沿海城市最大的几家纸行的各种进口纸张我们都备有纸样和编号,库存品种也有数百个,能充分满足客户的需求。
◆先进设备
本公司最为突出的还是公司的产品的质量保证,专业的技术人员,镭射,烫金技术,独特的水印印刷…
设备:先进的德国印刷设备多数台(其有德国Heidelberg 、日本的小森、秋山,高斯国际,曼罗兰……);
印刷:精致的烫金和压凸效果,独特的水印印刷技术,使我们总能站在最高端;
国外文凭用纸方面:面对不同学校的毕业证书、成绩单、教育部留学认证、海外人员回国证明等纸张,这些纸张必会有所差异的。比如毕业证书最为常见还是米白色的羊皮纸,羊皮纸结构紧密,防油性强,防水,湿强度大,不透气,弹性较好,该纸经过羊皮化,具有高强度及一定的耐折度; 相信诚信态度是生存之本,质量是生存之道,专业专注是质量的基础,所以让我们总能站在最高端;因此也给公司带了不少老客户。
◆更多的学校模版
在我们的样板区域,您可以看到许多国外大学文凭样板图片(美国大学毕业证书,英国大学毕业证书,日本大学毕业证书,澳大利亚大学毕业证书,加拿大大学毕业证书,法国大学毕业证书,新加坡大学毕业证书,韩国大学毕业证书,荷兰大学毕业证书,德国、俄罗斯、新西兰、马亚西亚、爱尔兰、瑞士等多个国家大学文凭办理),由于现在骗子相当的狡猾,为了防止骗子盗用本站的国外文凭样本四处骗人,所以我们特做了图片处理,当然如果有需要可以加本公司客服以视频或者是清晰图片加以确认。 咨询学历顾问:BillQQ/薇信 603012914